martes, 30 de abril de 2013

[O947.Ebook] Download Ebook The 13 Clocks and the Wonderful O, by James Thurber

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The 13 Clocks and the Wonderful O, by James Thurber

  • Sales Rank: #8331915 in Books
  • Published on: 1965
  • Binding: Paperback

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0 of 0 people found the following review helpful.
"Remember laughter. You'll need it ..."
By E.J. Jones
If you like The Last Unicorn and Alice in Wonderland, you’ll probably like James Thurber’s fairy tales. His work is a fun mix of the wordplay of Lewis Carroll and the beautiful, sometimes half-poetic prose of Peter S. Beagle, plus the gentle satire that can be found in both of those. The 13 Clocks is light enough to read in a day or two, but also unique enough to stick with you for a lot longer than that.

It seems like a typical fairy-tale conundrum: a wicked Duke is trying to prevent his niece, Princess Saralinda, from marrying, because he is always cold and her hand is the warmest in all the castle. He sets her suitors impossible tasks and kills them when they can’t complete them. But one day, a young minstrel named Xingu decides to try and thwart the Duke. With the help of the Golux, Xingu may be able to not only win the hand of the Princess Saralinda, but get the 13 stopped clocks in the Duke’s castle up and running as well.

The 13 Clocks looks a lot like a kids’ book, what with its slim girth, large print, and color illustrations. A kid would definitely enjoy it, but adults shouldn’t ignore it, either. The writing is clever and fun enough, as Neil Gaiman says in his introduction to the book, that you’ll look for any excuse to read it aloud. Take this quote from the Golux: “I resemble only half the things I say I don’t. The other half resemble me.” Or this description of an ancient hag’s abode: “It was cold on Hagga’s hill, and fresh with furrows where the dragging points of stars had plowed the fields … There was a smell, the Golux thought, a little like Forever in the air, but mixed with something faint and less enduring, possibly the fragrance of a flower.” Now, what grown-up wouldn’t be a child again to live on words like that?

That’s why The 13 Clocks works as well as it does. It may have some predictable qualities – well-used plot, stock heroes and villains (except the Golux, who will live on forever in my heart) – but the language is superb, and the pictures aren’t bad, either. (Thurber, known for his endearingly less-than-stellar drawing skills, didn’t illustrate this book; he had Marc Simont do it because his eyes were getting bad.) It’s a great gift for anyone who loves words, even if that person is yourself.

1 of 1 people found the following review helpful.
Wonderful, wordy, poetic -- begs to be read aloud!
By Aimee Sims
"Once upon a time, in a gloomy castle on a lonely hill, where there were thirteen clocks that wouldn't go, there lived a cold, aggressive Duke, and his neice, the Princess Saralinda."

Well. that first line has just about everything you need to start off a fairy tale, doesn't it? And it only gets better from there.

The New York Review has just reissued Thurber's classic, paired with the illustrations by Marc Simont, with a new introduction by Neil Gaiman.
The 13 Clocks is as full of fairy tale as you can get, with a Princess, the evil Duke, and, of course, a Prince. But there's also a Golux, who seems wise, but who sometimes makes things up and is extremely forgetful, the 13 clocks, an old woman who cries jewels, and the Todal ("The Todal looks like a blop of glup. , , , It makes a sound like rabbits screaming, and smells of old, unopened rooms.")

The story, although it's exciting and scary and thrilling, isn't even the best part. No the best part, as far as I'm concerned is the words that make up the story itself and the poetical way Thurber weaves them together. It's not really poetry, yet, at the same time, it is. This story, like poems, uses those glittery, evocative, slippery wonderful words -- like "brambles and thorns and "bonged the gongs of a throng of frogs, all green and vivid on their lily pads." Words like "gleep" and "made of lip" and "impudence" and "savage clash of swords." -- that together imbue the tale with feeling and delight.
+

This is truly a wonderful story and one that simply begs to be read aloud.

6 of 6 people found the following review helpful.
Timeless Perfection For Young And Old
By Alistair McHarg
The Thirteen Clocks, by James Thurber, is a perfect book. The only way it could be better would be by being longer. The story is classic in its simplicity, so elemental that anyone can easily find a way inside. The big setting - a castle - the big players - a Prince, Princess, and wicked Duke (very wicked) - the big themes - courage, redemption, selfless sacrifice, and just a whiff of magic. Best of all, the big problem - time is frozen. Our enterprising Prince must do the impossible to win the hand of Princess Saralinda. This is road-tested material but Thurber breathes new life into it, making it fresh and irresistible. The musicality of his language is delightful, there is so much joy and play in the words, they giggle and dance like water gliding over stones in a stream. His rogue's gallery of secondary characters is just too good; each is slightly more improbable and splendidly cracked than the last. Most of all, this story ends exactly as it should, the resolution is not forced, it's simply correct. The Thirteen Clocks is a slice of heaven that can be enjoyed by anyone able to read. Thurber, it turns out, really was as good as he claimed. This lasting jewel proves it.

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lunes, 22 de abril de 2013

[T679.Ebook] Download PDF , by Neil J. Salkind - Tests & Measurement For People Who (Think They) Hate Tests & Measurement: 1st (first) Edition, by Neil J. Salkind

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, by Neil J. Salkind - Tests & Measurement For People Who (Think They) Hate Tests & Measurement: 1st (first) Edition, by Neil J. Salkind

  • Sales Rank: #9824716 in Books
  • Published on: 2006-09-01
  • Binding: Hardcover

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0 of 0 people found the following review helpful.
Pretty great for a class book.
By AF
This book was required for an educational statistics based class and we only read a few seleted chapters. I really enjoyed the way it was written, it was a lot more fun to use. It's been a while since i last looked through it, but i remember being able to understand it well and feeling engaged.

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viernes, 19 de abril de 2013

[L562.Ebook] Download Ebook The Andreasson Affair: The Documented Investigation of a Woman's Abduction Aboard a UFO

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The Andreasson Affair: The Documented Investigation of a Woman's Abduction Aboard a UFO

  • Published on: 1609
  • Binding: Hardcover

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martes, 16 de abril de 2013

[N895.Ebook] Free PDF Sex, Sadism, Spain, and Cinema: The Spanish Horror Film, by Nicholas G. Schlegel

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Sex, Sadism, Spain, and Cinema: The Spanish Horror Film, by Nicholas G. Schlegel

From 1968 to 1977, Spain experienced a boom in horror-movie production under a restrictive economic system established by the country’s dictator, Francisco Franco. Despite hindrance from the Catholic Church and Spanish government, which rigidly controlled motion picture content, hundreds of horror films were produced during this ten-year period. This statistic is even more remarkable when compared with the output of studios and production companies in the United States and elsewhere at the same time. What accounts for the staggering number of films, and what does it say about Spain during this period?

In Sex, Sadism, Spain, and Cinema: The Spanish Horror Film, Nicholas G. Schlegel looks at movies produced, distributed, and exhibited under the crumbling dictatorship of General Franco. The production and content of these films, the author suggests, can lead to a better understanding of the political, social, and cultural conditions during a contentious period in Spain’s history. The author addresses the complex factors that led to the “official” sanctioning of horror films—which had previously been banned—and how they differed from other popular genres that were approved and subsidized by the government. In addition to discussing the financing and exhibiting of these productions, the author examines the tropes, conventions, iconography, and thematic treatments of the films. Schlegel also analyzes how these movies were received by audiences and critics, both in Spain and abroad. Finally, he looks at the circumstances that led to the rapid decline of such films in the late 1970s and early 1980s.

By examining how horror movies thrived in Spain during this decade, this book addresses a sorely neglected gap in film scholarship and also complements existing literature on Spanish national cinema. Sex, Sadism, Spain, and Cinema will appeal to fans of horror films as well as scholars of film history, European history, genre studies, and cultural studies.

  • Sales Rank: #1659758 in Books
  • Published on: 2015-06-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x .89" w x 6.28" l, .0 pounds
  • Binding: Hardcover
  • 232 pages

Review
Published scholarship on horror cinema has increased dramatically in recent years, and now Schlegel provides a readable, informative history of the genre in Spain. As Schlegel observes, the Spanish horror film has been understudied; he seeks to fill that gap with this study, which is the first English-language book on the subject. Taking a contextual approach significantly influenced by Fredric Jameson’s The Political Unconscious: Narrative as a Socially Symbolic Act Schlegel conceives of his project as a ‘cultural history through textual and industrial analysis.’ He fruitfully examines the socioeconomic, political, cultural, and historical contexts in which Spanish horror movies were produced in the ‘boom’ period 1968–1977. Specific topics examined include Francoist censorship, the financing and marketing of Spanish national productions and international co-productions, manifestations of the zombie subgenre in Spain, and the Euro-horror tradition as manifested in several selected films. Schlegel offers close readings of key feature films, e.g., El jorobado de la Morgue . . . .The book's scholarly apparatus is thorough. Summing Up: Recommended. Upper-division undergraduates through faculty. (CHOICE)

As a history buff and a horror film enthusiast, I found the book particularly rewarding and admired the way it used extensive research to explore how social, political and economic unrest can manifest in movies that have all too often been regulated to the trash bins of cinema history . . . [The book includes] insightful essays on some of the best horror films made during the period . . . Schlegel expertly blends scholarship with measured enthusiasm to deliver a valuable text that should appeal to genre novices as well as aficionados. (TCM's Movie Morlocks)

Sex, Sadism, Spain, and Cinema : The Spanish Horror Film belongs to the canon of work in which valuable academic rigor is balanced with a cinephile's passion for the 'depreciated genre' par excellence -- the horror film. Nicholas G. Schlegel, a film historian who has previously written about the Mexican and Japanese horror movies, brings a considerable amount of information to the area of Spanish horror … [This is] an indispensable book for the English language market; we can only hope that its author will publish a second volume. (Hypotheses.org)

[Schlegel] has written an amazing book about Spanish horror. . . .[The author's]interaction to historical settings, to historical events . . . and everything [else] that you have in the book . . . [makes it] one of the best ones I’ve ever read . . . I was very impressed that a person who is not Spanish could have done something so great about our culture. (Spanishfear.com-Horror Rises From Spain)

Sex, Sadism, Spain, and Cinema is as much for fans of horror films as it is for scholars of film history and cultural studies. It is the best book on the subject. This book is very well-referenced and well-researched. It should be part of university film courses. (The Washington BookReview)

[The book] represents a wonderful way of approaching our cinematography for those who want to enter on Spanish horror cinema of that time, but also for the scholars in the subject, since it offers a point of view free of nostalgia or favoritism, and lacking any kind of prejudice. . . .Proyecto Naschy strongly recommends [this book] to anyone interested in Spanish horror cinema. (Proyecto Naschy)

This book explores how a group of films produced, distributed and exhibited under the crumbling dictatorship of Francisco Franco reflected the political, social and cultural conditions in Spain between 1968 and 1977. During this decade, Spain experienced a boom in horror movie production that rivaled other sectors of production and yielded staggering success. This work canonizes these films in relation to their historical genesis, aesthetic characteristics and their social reception.

About the Author
Nicholas G. Schlegel is an Assistant Professor of Communication at Alfred University. His interests include cult, exploitation and horror cinema with a global emphasis and his essays have appeared in a number of anthologies including Draculas, Vampires, and other Undead Forms: Essays on Gender, Race, and Culture (Scarecrow Press, 2009).

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3 of 3 people found the following review helpful.
I didn't expect the Spanish...
By ewaffle
One of the many strengths of Nick Schlegel’s “Sex, Sadism, Spain, and Cinema: The Spanish Horror Film” (SSS&C hereafter) is that it shows that a book with academic rigor and scholarly design can be written about a popular subject—a subject that is vulgar in the sense of common, widely disseminated or of mass appeal—and still be both thought-provoking and eminently readable. Horror movies are as popular/vulgar/common/fun as anything can be but are also signs that point to larger issues of culture, agency and the subversion of normative social influence. You get both and more in this book.

Schlegel clearly knows his stuff. He has seen all (or if not all, probably 99%) the Spanish horror movies released in the 1968 to 1977 period plus most of them from before 1968--the "Selected Filmography" is long and comprehensive enough to cover the genre. You can tell he has read widely and deeply and mastered the sources but also adds to our understanding of the movies and enjoyment of the book with interviews of some of the important figures of Spanish cinema.

SSS&C isn’t dumbed down for the general reader—it doesn’t need to be. While it is true that the more one knows about movie production and marketing, critical theory and the relationship of popular art forms to social and political structures the more one will take away from the book, it does a good job of describing some of the technical critical and cinematic terms used and does so in the flow of the narrative. And, of course, it is about horror movies which so many of us learned to love and be scared by as children. I think part of the continuing popularity of horror is less the movies themselves but the way we recall the emotional and visceral punch of Frankenstein’s monster awakening, the full moon rising behind a person who can change to a werewolf or the whirr of bat wings as the heroine enters the dark castle.

Horror movies were cheap to make and had a guaranteed audience—which is still true today—but they still had to pass the censors appointed by or in consultation with the Catholic Church, even into the post-Franco period. Spanish director Eugenio Martin discusses this in an interview where he talks about the self-censorship practiced by writers and directors, doing the work of the official overseers by limiting themselves what made it onto the screen. An interesting parallel to film censorship in Falangist Spain is with the People’s Republic of China. Until recently horror movies not allowed to be shown in mainland China, including (or especially) those churned out in such numbers just across the border in Hong Kong. Horror meant the supernatural, the antithesis of materialism, and was simply forbidden by the Communist Party.

3 of 3 people found the following review helpful.
Great book. I've always been a sucker for the ...
By John Abar
Great book. I've always been a sucker for the unique Spanish Horror and Exploitation flicks of the 60's and 70's, and this is a well written account of the trials and tribulations the directors, producers, casts, and crews faced while under the reign of General Franco while trying to get their product out into the world. Interesting from beginning to end. I ended up digging up some of these old gems and re-watching with a new appreciation. A little pricey for the size of the book, but this is quality research and writing and really is well worth the price especially if you are a fan of these genre flicks. There aren't too many books I know of that deal exclusively with these films, but this is hands down the best writing on the subject that I have encountered.

2 of 2 people found the following review helpful.
A must!
By Elena Romea
An amazing book about Spanish Horror which covers most of the most important films of what it is called The Spanish Horror Golden Age, paying special attention to the social and politic background so the new generations and non expert on the subject fans can understand everything around it. It is a must for die hard fans who can broaden their minds and look deeply and under a new vision into these classic and also an essential work for newbies who has just discovered these flicks.

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domingo, 14 de abril de 2013

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ACI 372R-13: Guide to Design and Construction of Circular Wire- and Strand-Wrapped Prestressed Concrete Structures, by ACI Committee 372

This guide provides recommendations for the design and construction of circular, wrapped, prestressed concrete structures commonly used for liquid or bulk storage. These structures are constructed using thin cylindrical shells of either concrete or shotcrete. Shotcrete and precast concrete core walls incorporate a thin steel diaphragm that serves both as a liquid barrier and vertical reinforcement. Cast-in-place concrete core walls incorporate either vertical prestressing or a steel diaphragm. Recommendations are given for circumferential prestressing achieved by wire or strand wrapping. In wrapping, the wire or strand is fully tensioned before placing it on the structural core wall. Procedures for preventing corrosion of the prestressing elements are emphasized. The design and construction of dome roofs are also covered.

Many recommendations of this guide can also be applied to similar structures containing low-pressure gases, dry materials, chemicals, or other materials capable of creating outward pressures. This guide is not intended for application to nuclear reactor pressure vessels or cryogenic containment structures.

  • Sales Rank: #3985289 in eBooks
  • Published on: 2013-12-01
  • Released on: 2013-12-01
  • Format: Kindle eBook

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martes, 9 de abril de 2013

[F693.Ebook] Fee Download The Tiger: A True Story of Vengeance and Survival (Vintage Departures), by John Vaillant

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The Tiger: A True Story of Vengeance and Survival (Vintage Departures), by John Vaillant

A gripping story of man pitted against nature’s most fearsome and efficient predator.
 
Outside a remote village in Russia’s Far East a man-eating tiger is on the prowl. The tiger isn’t just killing people, it’s murdering them, almost as if it has a vendetta. A team of trackers is dispatched to hunt down the tiger before it strikes again. They know the creature is cunning, injured, and starving, making it even more dangerous. As John Vaillant re-creates these extraordinary events, he gives us an unforgettable and masterful work of narrative nonfiction that combines a riveting portrait of a stark and mysterious region of the world and its people, with the natural history of nature’s most deadly predator.

  • Sales Rank: #21121 in Books
  • Brand: Vaillant, John
  • Published on: 2011-05-03
  • Released on: 2011-05-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.99" h x .80" w x 5.14" l, .61 pounds
  • Binding: Paperback
  • 352 pages

Amazon.com Review
Amazon Best Books of the Month, August 2010: Deep in the frigid Siberian wilderness, an Amur tiger hunts. Fearsome strength is at the command of a calculating mind that relentlessly stalks its newest prey: man. Just when you thought it was safe to go back into the taiga, John Vaillant provides an unforgettable true account of a lethal collision between man and beast in a remote Russian village during the late 1990's. At its core, The Tiger is the story of a desperate poacher who picked the wrong tiger to accost. Yet it engages the reader on political, socioeconomic, and conservation fronts in order to explain how the stage was set for a deadly showdown. It's a gutsy approach that could easily lead to chaotic storytelling, but Vaillant is careful to keep the bone-chilling storyline taut by capturing the intensity of an animal worthy of our greatest respect and deepest fears. --Dave Callanan

Christopher McDougall Reviews The Tiger: A True Story of Vengeance and Survival

Christopher McDougall is the author of national bestseller Born to Run: A Hidden Tribe, Superathletes and the Greatest Race the World has Never Seen. He is a former war correspondent for the Associated Pressand a three-time National Magazine Award finalist. He's written for magazines ranging from Esquire and The New York Times Magazine to Outside and Men’s Health. He does his own running among the Amish farms around his home in rural Pennsylvania. Read his review of The Tiger:

A few years ago, I interviewed a Delaware state trooper named Butch LeFebvre who’d been assigned to investigate rumors that a mountain lion was roaming the outskirts of Wilmington. It was silly, of course--big cats had been wiped out on the East Coast more than a century ago. But just to be safe, LeFebvre strapped on night-vision goggles, loaded a rifle with a tranquilizer dart, and set off into the woods behind the Du Pont Country Club. By 3 A.M, he’d spotted nothing, so he headed back to his truck. The next evening, he returned to the same spot for another look--and found paw tracks following his footprints all the way back to where he’d parked. LeFebvre was an experienced hunter, but he learned something that night: one killer out there was doing a great job of watching and thinking and learning, and it wasn’t him.

To this day, the Wilmington lion has never attacked or even emerged from the suburban shadows. Not so lucky, however, is the Siberian village in John Vaillant’s chilling The Tiger: A True Story of Vengeance and Survival. In 1997, deep in the remote Russian backcountry, a gigantic Amur tiger begins acting like the only thing more savage than a wild animal--us. It doesn’t just attack villagers; it hunts them, picking its targets like a hitman with a contract, at one point even dragging a mattress out of a shack so it can lie comfortably in wait until the woodsman returns home. A few days later, the woodsman’s horrified friends discover remains “so small and so few they could have fit in a shirt pocket.”

Vaillant is as masterful with science as he is with suspense. We feel what it’s like to be in a tiny settlement cut off from the rest of the world, at the mercy of a beast so swift that it can’t be seen until its mouth bites down on your face. Tigers, Vaillant explains, are nature’s last word in mammalian weapons design. Big as three NFL linebackers bundled into one, armed with claws longer than fingers and jaws rated on a strength-scale used for dinosaurs, tigers are built like missiles and can out-swim, out-climb, out-fox and out-run just about anything that breathes. That’s the bad news; the worse news is, they’re also armed with memory and invisibility. “I have seen all the other animals,” one poacher says, “but I have never seen a tiger--not once.”

What enthralled me as much as the deadly cat-and-man game at the center of The Tiger are the side-stories that inform it. Vaillant introduces us to characters like Jakob von Uexkull, a Victorian-era baron-turned-physiologist who specialized in umwelt: the lost art of immersing yourself in another creature’s psyche. You crouch to the height of the animal you’re seeking, learning to see the world through its eyes, inhale scents through its nostrils, feel cool earth and crushed leaves beneath its padded paws. There are hunters in Siberia, Vaillant tells us, who can sniff the woods and identify animals by smell. These maestros believe killing a tiger without cause is as vile as murder, and such a violation of natural order that calamity is destined to follow. They feel such kinship with the big cats that they’ll even share their meals by leaving hunks of meat in the woods, convinced the tigers will re-pay them in kind with a deer haunch when times are lean. They see themselves as blood brothers of the Amurs--but as Vaillant shows us, no one fights more fiercely than relatives.

(Photo © Luis Escobar)

From Publishers Weekly
Starred Review. The grisly rampage of a man-eating Amur, or Siberian, tiger and the effort to trap it frame this suspenseful and majestically narrated introduction to a world that few people, even Russians, are familiar with. Northeast of China lies RussiaÖs Primorye province, "the meeting place of four distinct bioregions"–taiga, Mongolian steppes, boreal forests, and Korean tropics--and where the last Amur tigers live in an uneasy truce with an equally diminished human population scarred by decades of brutal Soviet politics and postperestroika poverty. Over millennia of shared history, the indigenous inhabitants had worked out a tenuous peace with the Amur, a formidable hunter that can grow to over 500 pounds and up to nine feet long, but the arrival of European settlers, followed by decades of Soviet disregard for the wilds, disrupted that balance and led to the overhunting of tigers for trophies and for their alleged medicinal qualities. Vaillant (The Golden Spruce) has written a mighty elegy that leads readers into the lair of the tiger and into the heart of the Kremlin to explain how the Amur went from being worshipped to being poached. Photos.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
The Amur tiger, weighing 500 pounds with four-inch claws and now numbering only around 400 in the Russian Far East, is certainly a formidable creature, and Vaillant gives the animal the respect it deserves in this unusual true-crime tale. Critics agreed that The Tiger is nature writing and reporting at its best, mesmerizing and insightful into both the threatened natural and human worlds. "Think of Vaillant as a younger version of John McPhee," wrote the Seattle Times, "but on steroids." The only complaint came from the Oregonian, which accused Vaillant of unnecessary padding. But all reviewers appreciated Vaillant's moral and highly recommended the book: "When you murder a tiger, you not only kill a strong and beautiful beast, you extinguish a passionate soul" (Washington Post).

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242 of 249 people found the following review helpful.
Gripping and informative
By Alan Mazer
Someone asked me recently what sort of non-fiction I like to read, and I had to think about it. I have a few niche areas that I enjoy, but generally all I ask of a book is that it keep me engaged and give me something to think about. This approach means that I read a lot of books in areas where I have no expertise and little real interest, merely because someone did a great job of presenting the material and I got hooked. "The Tiger" is one of these books.

Primarily it's the story of a tiger, hungry, injured, and irritated, which starts killing off the members of a Russian community, and of the men tasked with tracking the tiger and killing it. But there's a lot more here, too: interesting background on tigers and other animals, and how they hunt; the culture of the Russian Far East, including issues surrounding the Chinese-Russian border; the effects of perestroika on poorer Russians. And it's all woven together in a manner that made me want to keep reading.

I was particularly intrigued by how recent the events in the story are, being from the late 1990s. The people depicted are clearly on the fringes of Russian society, living literally hand to mouth just to stay alive. That someone could have a TV and other modern conveniences, and still rely for their survival on hunting small game and gathering pine cones, was not something that had occurred to me. Also interesting were the observations on how, through many years, tigers and people have lived together peacefully in the Far East, yet in a balance so fragile that either may be forced to hunt the other just to survive. And of course there are some fascinating statistics on tigers, both their declining numbers, and their physical abilities.

While this book is footnoted and has an extensive bibliography, I would suggest it for anyone who simply likes a good adventure story. It's a great read!

117 of 122 people found the following review helpful.
A Lyrical, Insightful, and rather Exhaustive Analysis
By Bryan Newman
This is far more than just an animal-eats-man thriller like Alaska Bear Tales. It does have a rather small story of a man eating tiger terrorizing a community, but it balloons out, covering all the eddies of history, natural history, economics, and culture that moved the characters to this moment where their worlds collide.

The story could easily be covered in 160 words on page two of a newspaper as some AP wire from Russia. Or in a narrative book it would take maybe 20 pages or so pages. But here the author brings nearly every back story to light in an amazing parade and alignment of stars that borders on fate. The Soviets annexing Northern Manchuria, Defending it from China, bringing Russians to the far East, the crumbling of Soviet systems, the crippling impoverishment of the community, the open markets to the South, the Chinese appetite for tiger products... Everything lines up to bring this confrontation in a way too clear cut for fiction.

I will not say that this book is a slow read, because I had problems putting it down, but at times it was frustrating that the core story of the tiger never seemed to move closer. It reads like a local history text, a biographic series of many of the main characters and a natural history account of tigers all blended together. I don't think I have ever come away from a book feeling like I knew the context of events better. The image created of post Perestroika Russia alone is worth the price of the book.

However, I can see some people being turned off by all the detours and side streets the book takes. This is not a straight narrative. By the time I knew the end was near, I felt almost like the hunters tracking the tiger, just willing the confrontation to come. And the climax was worth it. The author uses cinematic timing and fated suspense right up to the last moment.

I highly recommend it. Not as a riveting storyline, but much more - a riveting, all encompassing history. Occasionally the auther went a little over the top with his description of tigers, but I can never look at a tiger in a zoo the same way again.

63 of 65 people found the following review helpful.
This Tiger really burns bright
By Gary Greenberg
The remarkable thing about John Vaillant's The Tiger is not that it's a total page-turner, or that he manages to stuff the Tiger with so much fascinating natural and political history that you come away with three or four points added to your IQ, or that his lush descriptions are sensuous without being cloying and muscular without being macho, or that his characters are indelible and engaging and worthy of The Dirty Dozen or Where Eagles Dare, or even that the tiger and its hunters will relentlessly stalk your consciousness when you aren't reading the book (quite a trick in attention-challenged times). It's that you will, without even knowing it, and even if you don't want to, find yourself suddenly occupying the tiger's world, and seeing it through his eyes, feeling its wounds and its anguish and its hatred, and, above all, rooting for it against your fellow humans. Let this book hunt you down and pounce on you. You won't regret it.

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Not Fade Away: A Memoir of Senses Lost and Found First 1st Printin Edition

  • Published on: 1707
  • Binding: Hardcover

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sábado, 6 de abril de 2013

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Pharaoh: A Novel of Ancient Egypt, by Wilbur Smith

Worldwide #1 bestselling author Wilbur Smith returns to Ancient Egypt in a captivating new novel that will transport you to extraordinary times.

EGYPT IS UNDER ATTACK.

Pharaoh Tamose lies mortally wounded. The ancient city of Luxor is surrounded, All seems lost.

Taita, advisor to the Pharaoh, prepares for the enemy’s final, fatal push. The ex-slave, now general of Tamose’s armies, is never more ingenious than when all hope is dashed. And this is Egypt’s most desperate hour.

With the timely arrival of an old ally, the tide is turned and the Egyptian army feasts upon its retreating foe. But upon his victorious return to Luxor, Taita is seized and branded a traitor. Tamose is dead and a poisonous new era has begun. The new Pharaoh has risen — and he must be stopped…

From the glittering temples of Luxor to the Citadel of Sparta, PHARAOH is an intense and powerful novel magnificently transporting you to a time of threat, blood and glory. Master storyteller, Wilbur Smith, is at the very peak of his powers.

 

  • Sales Rank: #3682 in eBooks
  • Published on: 2016-10-18
  • Released on: 2016-10-18
  • Format: Kindle eBook

Review
Praise for Wilbur Smith: 'Best historical novelist - I say Wilbur Smith' Stephen King 'No one does adventure quite like Smith' Daily Mirror Praise for the EGYPTIAN series: 'Superlatively evocative...Smith's descriptions hardly falter over 500 pages and [River God] has relentless momentum' Observer 'Big, brave and blockbusting ... brilliantly detailed descriptions of life on the Nile' Mail On Sunday 'Grand mythical material... the set pieces are fabulous' Times Literary Supplement 'High adventure ... there is never a lull in his majestic novel overflowing with passion, rage, treachery, barbarism, prolonged excitement and endless passages of sheer, exquisite colour' The Washington Post 'A rich, compelling look back in time [to] when history and myth intermingled' San Francisco Chronicle 'A grand tale of intrigue, deception, true love and exile' Denver Post 'An epic of sex, death and intrigue in the Valley of the Kings ... richly written ... packs in the action ... excellent' Weekend Telegraph

From the Back Cover

Worldwide number one bestselling author Wilbur Smith  returns to Ancient Egypt in a captivating new novel that will transport you to extraordinary times . . .

EGYPT IS UNDER ATTACK.

Pharaoh Tamose lies mortally wounded. The ancient city of Luxor is surrounded. All seems lost.

Taita prepares for the enemy’s final, fatal push. The ex-slave, now general of Tamose’s armies, is never more ingenious than when all hope is dashed. And this is Egypt’s most desperate hour. With the timely arrival of an old ally, the tide is turned and the Egyptian army feasts on its retreating foe. But upon his victorious return to Luxor, Taita is seized and branded a traitor. Tamose is dead and a poisonous new era has begun. The new Pharaoh has risen.

Pharaoh Utteric is young, weak, and cruel, and threatened by Taita’s influence within the palace—especially his friendship with Utteric’s younger and worthier brother, Rameses. With Taita’s imprisonment, Rameses is forced to make a choice: help Taita escape and forsake his brother, or remain silent and condone Utteric’s tyranny. To a good man like Rameses, there is no choice. Taita must be set free, Utteric must be stopped, and Egypt must be reclaimed.

From the glittering temples of Luxor to the citadel of Sparta, Pharaoh is an intense and powerful novel that magnificently transports you to a time of threat, blood, and glory. Master storyteller Wilbur Smith is at the very peak of his powers.

About the Author

Described by Stephen King as “the best historical novelist,” WILBUR SMITH made his debut in 1964 with When the Lion Feeds and has since sold more than 125 million copies of his books worldwide and been translated into twenty-six different languages. Born in Central Africa in 1933, he now lives in London.

Most helpful customer reviews

25 of 25 people found the following review helpful.
"River God" and "The 7th Scroll" are two of my all time favorite books. I used to really look forward to ...
By Shotgun6
I have been a huge fan of Wilbur Smith since reading "The Sunbird" nearly 40 years ago. "River God" and "The 7th Scroll" are two of my all time favorite books. I used to really look forward to anything new from this author; but this book, coupled with his last effort ("Desert God"), are just terrible. The plot is ridiculous, details are ridiculous, dialogue (such as it is; most of the book is narration) is ridiculous; continuity with his earlier books is non-existent (there are too many conflicts between previous stories to mention; not the least of which, Pharaoh Tamose was killed by the Hyksos, in Smith's 3rd Egypt book, and eventually succeeded by his son Nefer Seti; now, in Pharaoh, he's killed again, under different circumstances, and succeeded by a totally different set of sons. My guess, which many other reviewers have already mentioned, is that Mr. Smith isn't writing anymore; he just drafts rough story outlines, and gets some hack (probably paid by the word) to flesh them out. Very disappointing, and it does a dis-service to his legacy; anyone reading these as their first introduction to Wilbur Smith would be justified in never picking up another book by him again. They would never know how great his story-telling used to be. Just Sad. Again, River God and 7th Scroll are fantastic reads; Warlock is silly, but fun; The Quest is a weird, disappointing, disjointed collection of metaphysical glop, but at least it reads like a story; Desert God & Pharaoh are pure garbage. I want my $22 back.

33 of 35 people found the following review helpful.
This was written like somebody prepared an outline and then filled in the blanks. Nowhere near what his previous works and metic
By Rv
River God and The Seventh Scroll were amazing this does not do the series justice

Almost like it was written by someone with no idea of Egypt, but rather Europe and who had not even read the previous books

29 of 32 people found the following review helpful.
Was this really Wilbur Smith?
By Maximillian
I have been a fan of Smith for all of my life. He was a master of the story-teller's art with twisting and turning plots. Books that one had difficulty in putting down.
This us such a puerile story that question ,how much of a hand, if any, Mr Smith had in its development.

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